The work Confesionario arises from the need to continue an exploration of intimacy and its relationship with different spaces. An open-air, outdoor confessional makes it possible to raise certain questions in this regard. How does the act of exposing oneself, while at the same time remaining hidden from the eyes of the person receiving our secrets and confessions, affect our notion of intimacy? If we think about certain elements of ecclesiastical space—such as the traditional confessional—where secrecy is safeguarded in an enclosed, dark environment, an artificial mausoleum of sin, how are those elements transformed when placed in nature? In what ways does the place of confession influence people’s perceptions? In this performance, the artist and the audience will exchange their secrets in plain view, protected only by the intimacy of the gesture