The White Week and La dieta blanca are both different expressions of an artistic research into self-imposition of rules, restrictions and constraints in daily life. Through photography, narrative and performance, these works explore the inclusion of play, ritual and aesthetic pleasure into everyday actions, while inviting the audience to consider the unexplored potential of their own intimacy as a space for artistic expression. Reinterpreting works by artists such as Sophie Calle and Marina Abramović, the artist continues an unfinished dialogue between mundanity and creation, privacy and exhibitionism, authenticity and simulation.